Cassie Meder, an artist working under the name Casstronaut, is a 22-year-old self-taught filmmaker whose dark and ethereal works represent an underlying distortion of religion, psychology and philosophy. In her films, she encapsulates cinematic storytelling with a dark, demonic approach that breaks away from traditional moviemaking. She describes the style of her films as a cross between confrontational and haunting.
Tony Peniche is an anti-Hollywood photographer and Portland’s leading man—a man who gets his kicks breaking traditions. His work is bold and in your face as he creates over-the-top images that ooze sex appeal and attitude.
Since the early ’90s, Oregon’s immigrant population has increased drastically: Today, about 28 percent of the state’s population is foreign-born. These immigrants from far-flung countries come to the Northwest to try and start new lives—to try and settle in.
For students at Portland State and across the country, social sustainability is an increasingly important part of maintaining a dynamic campus environment—especially at a campus as urban and integrated with its surrounding city as PSU.
A beautifully designed room sits in the lobby of Portland State’s AB Gallery. It’s filled with scrumptious goodies that look good enough to eat. You might say it’s a sophisticated twist on Willy Wonka’s chocolate factory, only it’s not edible and the materials used are not candy. There are two parts to this gallery, the interior and the exterior.
Wesley Petersen exposes his nearly naked body to the camera, performing a number of close-up tummy exercises while his arms are positioned spread-eagle. His upper left chest reveals a tattoo of three handprints in blood, done by his wife.
Sometimes a drink and a couple of friends or co-workers isn’t enough to guarantee a fun night out. Sometimes the only way to enliven a dud of a night is to inject some competition into the proceedings. Here are five top spots to get your game on in Portland.
Uttarakhand is known by many as the “land of the gods” and is home to three of India’s biggest radio stations: Kumaon Vani, Heval Vani and Mandakini Ki Awaz. When community radio was established in India in 1995, it was seen as a way to promote freedom of expression and create social change, but because local communities faced issues of government monopoly, underprivileged populations felt their voices were not getting a fair chance to be heard.
He’s a former skateboarder with a fascination with graffiti who takes a multidimensional approach to art. He combines scraps of new and old materials and used frames and 50-cent collectibles to create bold, subtle, abstract imageries of textural portraits.